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Generación de la Ruptura
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Generación de la Ruptura : ウィキペディア英語版
Generación de la Ruptura

Generación de la Ruptura (Breakaway Generation) was a reaction of the post World War II generation of Mexican artists against the established Mexican School of Painting, more commonly called Mexican muralism. It began with the criticisms of José Luis Cuevas in the early 1950s, followed by others who thought the established art had become dogmatic, formulaic and nationalistic and the artists too deferential to the government. This new generation of artists was not bound by a particular artistic style but was more interested in personal rather than social issues and influenced by a number of international trends in art such as Abstract expressionism. Early reaction to them was strong and negative but by the end of the 1950s, they had succeeded in having their art shown in the major venues of Mexico. The Generación de la Ruptura had influence on other arts in Mexico, such as literature but it did not end the production of murals in Mexico with social and nationalist purposes.
==Mexican muralism as antecedent==
From the 1920s to the beginning of the 1950s, the dominant painting style was what it is academically known as the ''Escuela Mexicana de la Pintura'' (Mexican School of Painting) also popularly known as "Mexican muralism." Mexican muralism came up to be from the convergence of the ideals of then-Mexico’s painters and the need of a post Mexican Revolution government to promote their ideas. The social ideals pursued the glorification of Mexico's mestizo identity.〔 The main representatives of this movement were David Alfaro Siqueiros, José Clemente Orozco and Diego Rivera.〔

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